Terms Without End
A Stream of Consciousness Poem

It will come back
The idiotic hope of an idealistic masochist
That feeling that even if you have to burn out
Something useful will be seen by your guttering light
Do not be deceived
Once again, they will rarely read at all
And when they do, they will let the curtain of confusion fall
Devoid of any curiosity about what lies behind it
Bot prose will be your meat and drink
Talking with your students, without playing PowerPoint karaoke
Will be perceived as odd, unsafe, or creepy
You are supposed to tell them what to think
You are not supposed to show them how to think
No one really cares about this old nonsense anymore
If they do, they can find a map of its heart with a device
The device can be persuaded to summarize a summary
Why would anyone think about meaning
When the device can tell us what meaning is
With all the boring words sliced cleanly out
Perhaps because we ought not to permit
Our tools to figure out any of this shit
Or to pretend to, and then search and find
Things known and understood by humankind
Conveniently recorded so that we
Could tutor our own souls, most musically
Literature is not information
Literature is a laboratory
Perform an experiment
Given this world
Into which not a single soul asked to be hurled
What sort of life can one have, once it's unfurled?
Why not be a villain? What is a hero?
You must figure that out, taking notes as you go
When it is said that truth, beauty or goodness
Depends upon the person, or whatever
We imply that every answer is as useful as any other
That simply is not the case
Consider the world, and what you can make of it
Villains are treating the world like their thing
The better to multiply the suffering
Of those who don't trouble the villain at all
Mere extras, they can be replaced as they fall
Whatever his will is, venial, crude
He feels it must be made real; he's terribly rude
Had you paid attention to virtue and vice
To character, ethics, the naughty and nice
You would have tried on every available part
You'd cut out the vile jelly and feel it depart
Pine on the moors and know the moor's boredom
With brooding twits' squandering of freedom
What is good to each of them in turn?
Do even the villains know that they should burn?
In shady soliloquies, do they confess
In fraught stage whispers, full of distress
That treating subjects like objects is wickedness
You must not forget that each of them feel
What it is like to feel your dreams congeal
To talk endlessly with those who don't care
Who are afraid to live characters' lives, then compare
The better to see that, given the chance
We ought to see, at last, how each dances past
Different forms, some incredibly fast
But who they think they are? Knowing that lasts
You must join in it, becoming yourself
What will your character be? Dwarf or elf?
Each understands beauty, each can discuss it
With others, until, taking down from the shelf
The book that revealed what to make of the self
Some notes can be made, some amendments here
And there, perhaps some of this code's too severe
Before you know it, some things you revere
While others you cannot be anywhere near
You will have ideas, not just opinions
You will join, or bust, unions
Decide
Explain Why
Hero
About the Creator
D. J. Reddall
I write because my time is limited and my imagination is not.



Comments (2)
1. Thanks for spiking my ennui 2. Top story or I riot
The line about devices summarizing summaries is particularly striking. It captures a real concern about how easily depth can be flattened into convenience.